The Red and the Black

 After Reading The Red and the Black

The famous French writer Stendhal, through the hero's experience shows the restoration of the French dynasty many acute social problems.
The book's three main roles:

1. The son of a carpenter, looks handsome, bent into the upper class.2. Mrs. Mayor, looks dignified and beautiful. When she saw the young Julien after being attracted to him, unconsciously in love with him. Later, things to be noticed, they had to leave, but she still bent thought Julien. Then the priest forced her to write a letter of defamation in connection with the letter, destroyed Julien marriage.
3. Miss Mathilde: Paris a very forces of the Marquis's daughter, looks reigning beauty she later fell in love with Julien, and despite her father's objections, insisted on marrying him.

Eighteen Julien has handsome appearance, although born in  poor faimaly but proud and arrogant. He was eager to squeeze into high society. In France, he  was tutor in the eyes of high society is the servant of the same level, and can not even eat the owner at the same table. Cause very eager to squeeze into high society, very dear to the mayor the opportunity to do at home tutor,  he would prefer to continue to do even a carpenter to flee their homes and can not tolerate insults servant dinner together. After protest an exception was only allowed to eat at the same table with the owner.  
Mrs. Raynaldo have a good impression because of his age, small, smart, clean, and just as important to her as the life of three children.
During that period, he has an ambiguous relationship occurred with Mrs. Raynaldo , mostly in order to resist and retaliate for his abuse of the aristocracy.
After entering seminary,  he became pawns faithful restoration of the dynasty. Just to even one step toward his longing for "light", because of the shooting and Mrs. Reynaldo completely ruin their future.
As a critical realist novel, the author has given the hero even in his deepest sympathy to the people through the pursuit and the pursuit of desire not to criticize the pain of that particular era of social reality.